(Dana Kaye publicist extraordinaire is here to share about Book Country with us!)
Writing is a solitary practice, but revision requires feedback. Most aspiring authors send their manuscript to friends and family, others meet with a critique group, and some enroll in an MFA program.
In April, Penguin Group (USA) launched Book Country, a website dedicated to genre fiction readers and writers. Focused on romance, fantasy, science fiction, mystery and thriller, Book Country helps new authors hone their craft as part of a genre fiction community.
Users upload their novels (or a portion of their novels) for peer review. Book Country’s unique genre map helps writers categorize their novels, and lets readers find books similar to ones they love, which they then read and provide detailed critiques. Book Country brings the peer feedback and community feel of a critique group, online.
Another key feature is discoverability. If you’re working on a novel, publishing professionals won’t see it until you begin sending out query letters. Book Country gives agents and editors a place to discover new talent; for this reason, many publishing professionals have already signed up. Book Country also allows avid readers and bloggers to discover budding talent and use their reading experience to offer helpful feedback.
As the world continues to shift online, Book Country creates a community that was once only available in metropolitan areas. Now, genre fiction authors all over the world can come together online to exchange feedback, engage in discussions, and have their work discovered.
Join us at www.BookCountry.com and follow us on Twitter @Book_Country
Thursday, June 30, 2011
All About Penguin Group's Book Country!
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Amy
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11:02 PM
CFBA Book Spotlight: The Protector by Shelley Shepard Gray
When her mother passes away, Ella's forced to auction off her family's farm. Her father died years ago, and she could never manage the fifty acres on her own. But after she moves to town, she can't deny the pain she feels watching the new owner, Loyal Weaver, repairing her family's old farmhouse—everything Ella had once dreamed of doing.
What Ella doesn't know is that Loyal secretly hopes she will occupy this house again...as his wife. He begins inviting her over, to ask her opinion on changes he wants to make. As their friendship blooms, Ella starts to wonder about Loyal's intentions, especially when her best friend, Dorothy, hints that Loyal is not who he seems. There's no way the golden boy of their close-knit Amish community could be interested in Ella, long the wallflower, hidden away caring for her ailing parents.
Should she trust the man she's always yearned for, or the friend who's always been by her side? When one of them threatens to disrupt the independence she's finally achieved, Ella is faced with a choice. She can protect her heart and keep things the way they've always been. Or she can come out of her shell, risk everything for the love she's always wanted, and finally have a place to call home.
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Amy
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11:01 PM
Giveaway: Print of Patrick DeWitt's The Sisters Brothers Cover

I really love book covers sometimes and think they are beautiful works of art. Other times they are just really interesting interpretations or ideas of the story within. One cover I've loved from this year comes from Patrick DeWitt's The Sisters Brothers. To me it's a very eye catching and unique concept.
Harper Collins had a limited run of the prints made and is offering one up to a reader of this blog! They're signed and numbered, and measure about 12" x 18", on thick paper. The artist is Dan Stiles.
Trust me they are stunning and if you have a reading room would make a lovely piece of decor.
This giveaway is open to residents of the United States and Canada.
About The Sisters Brothers
Hermann Kermit Warm is going to die. The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living–and whom he does it for.
With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters–losers, cheaters, and ne'er-do-wells from all stripes of life–and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.
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Amy
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10:25 AM
Wednesday, June 29, 2011
CFBA Book Spotlight: Bridge to a Distant Star by Carolyn Williford
As a storm rages in the night, unwary drivers venture onto Tampa Bay’s most renowned bridge. No one sees the danger ahead. No one notices the jagged gap hidden by the darkness and rain. Yet when the bridge collapses vehicles careen into the churning waters of the bay below.
In that one catastrophic moment, three powerful stories converge: a family ravaged by their child’s heartbreaking news, a marriage threatened by its own facade, and a college student burdened by self doubt. As each story unfolds, the characters move steadily closer to that fateful moment on the bridge. And while each character searches for grace, the storms in their lives loom as large as the storm that awaits them above the bay.
When these characters intersect in Carolyn Williford’s gripping and moving volume of three novellas, they also collide with the transforming truth of Christ: Deny yourself, take up your cross, and follow me.
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Amy
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8:40 PM
Tuesday, June 28, 2011
Q&A with Lyn Cote

Lyn Cote is a published Christian author and has a great resource for aspiring writers on her website. I asked her to stop by and share a bit about it with us today!
Can you please tell us a little about yourself and your experience in Christian publishing?
I began researching the emerging Christian fiction market, primarily romance in 1994. I had been writing inspirational romance without realizing it. I published my first article on this market in 1996 in Romance Writers of America's Romance Writers Report. And I've done an update every year since then. Thirteen years ago, I started posting it on my website. It's one of the most popular pages on my website.
I've seen big changes in the past 16 years as I've kept track of the market. When I began, romance made up most of the Christian Fiction Market and there were only about three houses. Now I actually have 3 classes: traditional house, small presses and epublishers, and African-American publishing.
Why did you develop the page about publishers on your website?
My motivation is to help other authors, published and unpublished. I didn't discuss Sally Stuart's Christian Market Guide till a year or two after I began compiling my concentrated list.
What resources can be found on your site?
I have two pages to help authors, "Christian Book Publishers" page and "How to be Published" Page.
On the latter, I give general advice about scams that are intended to "take" aspiring authors. I list ten books that I think are excellent about writing and many links to sites such as Margie Lawson for her excellent online classes. I also include the info about a class I teach once a year, "The Conflict Grid." This grid is a must for romance authors since it defines 5 areas of conflict. Kathy Jacobson who wrote a complete fiction writing course, named A Novel Approach, gave me permission to teach it.
What's your top piece of advice for authors looking
to be published?
Finish the book first, then begin to learn what you need to refine. I see too many people who give up writing because they try to combine the creative part, the writing, with the editing part.
Write the book first. Then edit.
What are you working on right now?
I'm waiting to hear on a proposal. To keep busy, I've been revising the very first manuscript I wrote and posting it in serial form on my blog http://www.BooksbyLynCote.com, one scene each M, W, F. It's almost done. Then I'm planning on putting it up on Kindle. I like to try new things!
About Lyn Cote
When Lyn Cote became a mother, she gave up teaching, and while raising a son and a daughter, she began working on her first novel. Long years of rejection followed. Finally in 1997, Lyn got "the call." Her first book, Never Alone, was chosen by Steeple Hill. Lyn has had over twenty-five novels published since then. In 2006 Lyn's book, Chloe, was a finalist for the RITA. And in 2010, Lyn's Her Patchwork Family was a Carol finalist.
Lyn helped found two RWA chapters: Heart of Iowa Fiction Authors in 1994 and Faith, Hope & Love Inspirational Chapter in 1997. She served as president of both. She is an active member of Wisconsin Romance Writers and American Christian Fiction Writers. Lyn has also written three articles for the RWR on the inspirational romance market and one on Classic Romantic Conflicts. Lyn has taught regional and national workshops for RWA. For the past 12 years, Lyn has also compiled a Christian fiction market update every year which she posts on her website www.LynCote.net. Lyn’s brand “Strong Women, Brave Stories,” always includes three elements: a strong heroine who is a passionate participant in her times, authentic historical detail and a multicultural cast of characters. She maintains and active blog with that title www.StrongWomenBraveStories.com. Lyn also can be found on Facebook, Twitter and Goodreads. Living in northern Wisconsin in a lake cottage with her husband and four cats, Lyn spends her days writing books that show the power of divine as well as human love.
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Amy
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4:00 AM
Labels: Interviews
Monday, June 27, 2011
Thoughts on Bookish News
Ebooks!
Yesterday I read in Shelf Awareness about how Random House and Politico.com are teaming up to release four ebooks about the 2012 presidential campaign. I thought this was one of the better ideas I've heard for ebooks to be honest, political campaigns are such time sensitive events and I'm not really sure the interest in books about them is high for more than a year after they are over. I'd like to see ebooks used more and more for this kind of thing, (save our trees),celebrity memoirs, hot button current events, etc. Of course this also allows the publisher to be on the cutting edge of something, releasing the books as the campaign is happening so it's much more timely. There are, ahem, blogs for that, too. :)
New Orbit Authors!
I don't love all their books, but I always love giving them a try because I like a lot of what I've read.
The first is God Save the Queen by Kate Locke described as "an urban fantasy novel set in our time period — but with a twist. Queen Victoria still rules 175 years after her ascension. This is the world that half-blood Alexandra has been born into — a world where horse-drawn carriages, ballgowns, and corsets mesh with the modern fashions of the humans outside of the vampire aristocracy."
I don't know that sounds AWESOME to me!
And
Full Blooded by Amanda Carlson which is about "Jessica [who] is the only female werewolf born to a race of males. And prophecy claims that her birth will signal the end of their race. Who said it was easy being a girl?"
Of course! The girl comes along and EVERYONE IS GOING TO DIE. That makes me laugh, but seriously, this sounds like it could be a lot of fun.
Read all the details on their blog. (which rocks by the way. One of the best publisher's blogs)
Books That Probably Won't Come Out Forever But Sound Awesome and Were Announced in Publisher's Lunch
Author of THE LITTLE GIANT OF ABERDEEN COUNTY Tiffany Baker's MERCY SNOW, pitched as a contemporary twist on the Antigone myth set in a mill town in New Hampshire, about three women whose lives collide following a tragic accident and the cover-up that surrounds it, to Helen Atsma at Grand Central
This sounds awesome, too, I thought The Little Giant of Aberdeen County was beautifully written.
NYT bestseller Kathleen Kent's MIDDLE BAYOU, set in 19th-century Texas, about the legend of a pirate's buried treasure, a killer on the run, and a woman determined to make a new life for herself at any cost
What? I don't exactly know but this seems really awesome to me, the part about a pirate's buried treasure and a killer on the run. Throw in 19th century Texas and I think this could be really interesting.
Former member of the infamous hate group The Westboro Baptist Church Lauren Drain's BANISHED, about her seven years living with the group and her ensuing expulsion, to Emily Griffin at Grand Central
I think we're all interested in this due to our sick fascination with just how hateful hateful people can be.
Elizabeth Black's THE DROWNING HOUSE, the story of a young woman born and reared on the island of Galveston, Texas who returns to the island for the first time after a personal tragedy and discovers the true story behind the charismatic family who owns the grand mansion across the street from where she was raised, and the legend of Stella Canaday, a young girl said to have drowned during the Great Hurricane, hung by her long hair from the chandelier in the drawing room, to Nan Talese and Ronit Feldman at Nan A. Talese
Okay I was just like, reading along and then I saw "drowned during the Great Hurricane , hung by her long hair from the chandelier," and I don't know this book just got a lot more interesting, I mean how exactly does that happen? MUST READ THE BOOK.
And they also announced Marie Mockett's next Above the Waves about her family's Buddhist Temple in Japan. I still need to review Picking Bones from Ash, but I definitely think this next one will be worth a read.
Lenore's Fairy Tale
If you don't know her, Lenore is a really awesome book blogger who is now going to be a published author. She blogs at Presenting Lenore and is now group blogging over at Brave New Worlds. Go for the story, stick around to drool over all the great sounding books coming out.
Other Big Topics I Have a Few Thoughts About
There have been a few other things being discussed quite a bit in the bookish world that I don't have enough to write whole posts about but I do have a few things to say.
To the Person Who Said Book Bloggers are a bunch of housewives who read paranormal romance and have unwarranted influence over publishers
First, So? I mean really, why do you care if we are? How does it hurt you?
And secondly, it's not true.
Indie Bookstores Charging For Author Events
I can see where they are coming from, but going to an author event is already a huge deal for me. My closest indie is well over an hour away. Whenever I go, I really do make an effort to buy at least the book the author is promoting, and often I'll buy something else as well. In fact, every time I go to an independent bookstore I try to buy something there, but I don't often go because it's not convenient. So if I have to fork over additional money I'm less likely to go.
So that's it for thoughts about bookish things with Amy. What's on your mind?
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Amy
at
10:13 PM
Labels: Thoughts on Bookish News
Sunday, June 26, 2011
Review: The Transformation of Things by Jillian Cantor

Jillian Cantor has a gift for putting emotions and feelings into words in a way that feels so real and true to life. It doesn't necessarily matter that I have not experienced the exact situations her protagonists have, they are still voicing universal life concerns that I relate to. Out of millions of writers in the world, it still feels rare to find those authors who speak the unformed words of your heart and for me, Jillian Cantor is one of them. Her books brim over with emotional truth.
The Transformation of Things is about Jennifer Levenworth who is living a privileged life in the suburbs when she finds out her husband, a judge, has been indicted on bribery charges. A woman named Ethel offers her some herbal remedies. Jen takes them, but soon starts having dreams where she is inside the minds of her neighbors. She quickly learns that what is on the outside is not always the same as what is on the inside, and her eyes are opened to appreciating what she has in her own life.
I think what I loved about this book is that it's about transformation. Jen starts out feeling and thinking certain things in her life are her priority but they aren't bringing her joy. When things get shaken up, at first she's upset but slowly she begins to view things in a different way. There comes a point in the story where she must decide what she knows for certain, what is most true. It's about stripping away everything else, all the pretense, all the expectations and crap of life that get buried on top and finding what makes your heart beat underneath it all. She's deeply wounded and scared of life and she has to confront that and make the choice to live. And part of that process is learning that everyone has their own disappointments in life, their own desperation, their own hurts that drive them.
So it's sweetly hopeful in its own way and sometimes that's what I need most in a book. I need the reminder that there's a life worth living, one life that's mine.
In reading reviews of this book, I saw a lot of people were disappointed by the ending, but I was not. But I'd like to offer the suggestion that the book works on several levels of being about 1) Not everything is what it appears to be on the surface and 2) We have to choose to live our lives and do the work to transform.
Here's an example of Jillian's lovely insightful writing:
"With time on my hands I'd become a neat freak, and I felt a little jealous looking at the mess, at the sloppy way life could unfold, could strike you in insane and beautiful ways that you would sometimes not expect..."
Rating: 4.5/5
Things You Might Want to Know: some profanity, a little sex
Source of Book: ARC received from publisher for review
Publisher: Avon (Harper Collins)
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Amy
at
10:26 PM
Labels: Book Review, Women's Fiction
Saturday, June 25, 2011
Summer Days and Entertainment
No, no book reviews to be found here folks, but I have been watching some TV and even saw a movie in theater! Here is how I've been entertained lately:
TV
MTV's Teen Wolf--This thing cracks me up. It's really ridiculous, fairly sexist, super cheesy, and yet I'm still watching because it has a feel to it that reminds me of the kind of horror book I would have enjoyed before I ever made it into high school. It entertains me with its cliches so I'm still watching.
The Nine Lives of Chloe King--I had high hopes for this show because I liked Skyler Samuels on The Gates (RIP) and I love girl-centric shows but so far it's hasn't really ~spoken to me. Again, I'm still watching because it's summer and there isn't much else on and it's entertaining enough, but I don't know there's just something about ABC Family shows...the never really inspire addiction and obsession for me.
Switched at Birth--Surprisingly I probably like this one the best out of all the new shows because it has a lot of potential to really explore ideas of identity and family, what makes us who we are, how much we base our self-perception on where we came from, etc. The first two episodes were just alright for me, but the most recent one made me all teary, darn it. The basic idea is that two girls were switched at birth, they discover it in high school and their families end up living next door in order to get to know their daughters.
Falling Skies--A bit heavy handed and not entirely original, but interesting enough to keep me with it. I already wrote more about this one here.
Wilfred--Tried to watch this one, but the main character tries to commit suicide in the opening sequence and that kind of depression is too close to home for me right now, any kind of harsh realism in comedy generally doesn't work for me, so I gave up.
Pretty Little Liars--Now in its second season. I hate the pairing of Ezra/Aria and that manages to detract from my enjoyment EVERY SINGLE WEEK but the show got a bit more interesting lately, and I love Spencer.
On Netflix, I started watching Greek, but it's a bit take it or leave it for me and I'm going to try to finish at least the first season of Battlestar Galactica.
BUT FRIENDS!! If you have Amazon Prime, they have many videos available to you, and I'd like to point out that Mister Rogers is available to watch. Isn't that wonderful? I have it on right now as I wrote this post. it gives me many warm fuzzy feelings of my childhood.
MOVIES
I went to see Super 8 in the theater. I thought it was a nice fun summer film, full of nostalgic feel, but it wasn't anything spectacular to me. It wasn't really scary, the monster was kind of...strange, the best part was the cute and fun banter between the friends.
On DVD, I've recently watched Battle: Los Angeles (a war movie! with aliens!), Megamind (kind of cute) Secretariat (so much love this was fabulous), Skyline (too ridiculous for life), and I am Number 4 (lost interest when Timothy Olyphant got killed off)
I also watched Hal Ashby's The Landlord which I thought was a really intersting film. It's only on DVD recently for the first time and it's about a wealthy guy that buys an apartment building in Park Slope Brooklyn pre-gentrification. Of course he's really naive and when he first shows up they take advantage of him and steal his things and threaten his life, but he's rather eager to make his own way and he kind of bonds with him. I don't know I thought this movie was really interesting in the way it was put together and dealt with racism and privilege. And the story was at times really amusing. I have a feeling it was a movie before its time.
OTHER STUFF
Pixar is finally going to have a girl main character in next year's Brave. I'm so excited! I love Pixar but it's sad they haven't had a girl for a main character before and saying that's because they are story driven doesn't really make me feel better. Sometimes we need to be pushed to look at why we are conceiving stories the way we are but whatever not going to be too mad at the moment. She's an expert at archery as well, sound like another favorite heroine?
Comic-con is coming soon!! If you are a book blogger or author planning on going please let me know! Maybe we can all get together and stand in line for something together. :)
So...recommended movies? TV I should catch up on over the summer? Best beach reads? Tell me all.
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Amy
at
9:16 PM
Friday, June 24, 2011
CFBA Book Spotlight: She Makes It Look Easy by Marybeth Whalen
Soon Ariel realizes there is hope for peace, friendship, and clean kitchen counters. But when rumors start to circulate about Justine’s real home life, Ariel must choose whether to believe the best about the friend she admires or consider the possibility that “perfection” isn’t always what it seems to be.
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7:48 PM
Wednesday, June 22, 2011
FIRST: The Blackberry Bush by David Housholder
It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!
You never know when I might play a wild card on you!
and the book:
Summerside Press (June 1, 2011)
David Housholder is a philosophical-spiritual influencer, a sponsored snowboarder and a surfing instructor who dreams of making this world a better place. As the senior pastor at Robinwood Church, an indie warehouse church near the beach in California, he can often be found preaching verse by verse in his bare feet. With his increasing desire to change the world around him, he is the director for several non-profit organizations. Housholder loves to travel and is an international conference speaker. He has spoken to groups in Ethiopia, Malaysia, Canada and London and has also been involved with mission trips. He is especially energized by evangelistic work among Muslims. Housholder is an avid reader and carries an unquenchable thirst for knowledge. He received his undergraduate degree from Pacific Lutheran University and went on to receive his Master of Divinity from the Lutheran School of Theology in Chicago. Then he spent a year as a Fulbright Scholar at the Universität-Bonn in Germany. Housholder fluently speaks three languages, English, Dutch and German, and enjoys reading biblical Greek and Hebrew.
Housholder and his wife, Wendy, have one grown son, Lars. They reside in Huntington Beach, California. Some of his hobbies include photography and tinkering on his 1971 VW bug.
Visit the author's website.
The Blackberry Bush begins with two babies, Kati and Josh, who are born on opposite sides of the world at the very moment the Berlin Wall falls. You would think that such a potent freedom metaphor would become the soundtrack for their lives, but nothing could be further from the truth. They will follow a parallel path connected by a mistake their great grandparents made years before. Despite his flawless image, Josh, an artistic and gifted Californian skateboarder and surfer, struggles to find his true role in the world. He fears that his growing aggression will eventually break him if he can’t find a way to accept his talent and the competition that comes along with it. Kati, a German with a penchant for classic Swiss watches and attic treasure-hunting, is crushed with the disappointment of never being “enough” for anyone—especially her mother. She wonders whether she will ever find the acceptance and love she craves and become comfortable in her own skin.
Craving liberation, Kati and Josh seem destined to claim their birthright of freedom together. With the help of their loving grandparents, they will unlock the secrets of their pasts and find freedom and joy in their futures. Today, like Katie and Josh, our youth often fall into two different cultures. Josh is part of the “bro” culture which is outdoor-oriented, with sports as a focus, and generally more conservative. Whereas Kati is part of the “scene” culture which is more liberal and indoor-oriented, focusing on music. These cultures are apparent in the novel and can aid in a better understanding of the issues today’s 21st century youth are facing as well as the struggles they have in coming to faith.
Product Details:
List Price: $14.99
Paperback: 208 pages
Publisher: Summerside Press (June 1, 2011)
Language: English
ISBN-10: 1609361164
ISBN-13: 978-1609361167
AND NOW...THE FIRST CHAPTER:
Angelo
Think for a moment. Isn’t there a splendid randomness to the way your day is coming together today?
After all, it’s not the big, dramatic things we foresee and expect that make all the difference in our lives. It’s the chance, random encounters—the subtle things that surprise us…and change the very course of our individual destinies.
The Blackberry Bush is a story about awakening to the fullness of this reality.
And you will never want to go back to sleep.
You can call me Angelo. I’ll be the one telling this story. As you and I travel together across generations and continents in a journey that will take just a few hours, you’ll discover not only the gripping stories of Kati, Josh, Walter, Nellie, and Janine but also uncover your own compelling back-story that will change you in ways you can never imagine.
And you’ll never be the same again….
PROLOGUE
1989
Berlin, Germany
Occasionally, out of nowhere, history turns on a dime in a way no one sees coming. Listen…do you hear the sound of jackhammers on dirty concrete?
“Wir sind ein Volk (We are one people)!” A large European outdoor crowd chants this over and over into the chilly November night. “Wir sind ein Volk!”
Thousands of hands hold candles high in the darkening night of Berlin. Throngs of young people with brightly colored scarves crowd the open spaces between concrete buildings. !ere are parties—with exuberant celebrants of all ages—even along the actual top of the wall. Flowers are stuffed into once-lethal Kalashnikov rises. Hope is contagious.
It’s November 9, 1989. The first sections of the Berlin Wall are removed, to mass cheers, with heavy machinery. It seems incomprehensible that a small weekly Monday prayer meeting in Pastor Magerius’s Leipzig, Germany, study grew into the pews of the Nicolai Church and eventually out into the Leipzig city square. !en today, this “Peace Prayer,” figuratively speaking, traveled up the Autobahn to Berlin and converged as an army of liberation on that iconic concrete symbol of Cold War division—with world-news cameras whirring.
Little things can make a big difference. Subtle potency. Gentle power.
“Wir sind ein Volk,” the crowd chants as one. The Berlin Wall—a filthy, gravity-based ring of rebar and concrete, tangled with barbed wire and patrolled by German shepherd attack dogs–has encircled and separated West from East for twenty-eight years. Now it is irreparably pierced.
Unthinkable. No one saw this coming.
Walls are real, you see, yet they always come down. Creation and nature never favor walls. They start to crumble, even before the mortar dries.
*
Elisabeth Hospital
Bonn, Germany
A day’s Autobahn drive from the festivities in Berlin
That same instant, a severely pregnant woman’s water breaks in the tall-windowed birthing room of the Elisabeth Hospital in Bonn, Germany.
Hours later: “Ein Mädchen (a girl)!” Een meisje, translates the exhausted mother with silently moving lips into her native Dutch. Linda, a sojourner in Germany, was born a generation ago in Holland.
Mere blocks away from the birth scene, the mighty Rhine River flows past Bonn on its way downstream to the massive industrial port city of Rotterdam, Linda’s hometown. Only a few hours away by river barge, Rotterdam, Holland, couldn’t be farther from Germany—on so many levels.
The labor has been long and brutally hard. !e father, Konrad, takes little newborn, black-haired Katarina up the elevator to the nursery. On the way up, an old woman in a wheelchair spontaneously
pronounces God’s blessing over baby “Kati” (pronounced “KAH-tee,” in the German way) with the sign of the cross. Kati focuses her glassy little eyes on the woman’s wristwatch.
Konrad is concerned about how pale Katarina is. Was her older sister, Johanna, this porcelain-skinned at birth? Perhaps it’s the thick shock of black hair that sharpens the contrast with her complexion. How will Kati and Johanna get along? he wonders. I guess that will all
start to unfold soon, when they meet each other for the first time.
I won’t be able to protect her, thinks Konrad. Parental anxiety starts creeping up his spine in ways it never did when Johanna, now two, was born.
Perhaps little Kati will need that elevator blessing, he muses uncomfortably.
*
Zarzamora, California
1989
Another Woman With Rotterdam Bloodlines, across the planet in sunny Zarzamora, California, is giving birth at the very same moment (although earlier in the day because of the time difference) to a boy. !e tiny $at-roofed hospital up in the mountains of the Los Padres forest is the port of entry for little baby Joshua.
Janine smiles up at husband, Michael, and takes a first look at Josh, expecting, for whatever reason, to see a pale baby girl. Genuinely surprised—after all, this is in the days before ultrasound was universal—to see a vibrant, reddish-hued boy, she suppresses a giggle of delight, a catharsis of joy after so many miscarriages. What fun they will have together! Will he lighten up her melancholy
disposition, perhaps?
Janine sighs in relief as she confirms to herself, We’re not going to have to take care of him much. He’s going to be okay. I’m sure of it. I can tell.
The trumpets of the practicing local high school marching band waft through the open windows as German-born father Michael washes his son off in the sink of the delivery room. The piercing eyes of baby Josh, almost white-blue, glisten in the overhead lights. They stop to focus on Michael for a fleeting minute, then zero in on some yet unseen reality behind his father’s shoulder.
Shouldn’t I be saying some ancient German words, a blessing or something, while I’m doing this? Michael asks himself.
But he can’t think of any. He is adrift in the flowing current of this new experience.
The marching band plays on outside. Are they really circling the hospital, or does it just sound like that? the new father thinks… .
~ Behind the Story ~
Angelo
I can watch both births as I pick and eat blackberries from the thicket back in rainy Bonn. I smile. Joshua looks so happy to be here. He radiates physical warmth and doesn’t seem to need his blanket. He welcomes the new climate.
But Kati doesn’t like the cold. There’s almost a 30-degree (Fahrenheit) difference in ambient temperature from the womb to the room, and I see her struggle.
And then there’s the brand-new “breathing” thing. How can breathing go from unnecessary to essential in a few seconds? Yet some days we don’t even think about breathing, not even once. Amazing. Joshua’s American birth certificate reads 11-09-1989. Kati’s European one reads 09-11-1989.
How much of their lives are preprogrammed? How much of their minds will be stamped with the thoughts of others? Is life a roll of the dice, or is it a script we just read out to the end? Don’t we all
wonder that same thing sometimes?
As Kati and Joshua start to adjust to life outside the womb, the Berlin Wall continues to crumble to shouts of joy.
I write the names Linda and Konrad in Germany, Janine and Michael in California on the inside of the book cover I’m holding. I always do that, so I don’t get confused about who’s who as I travel
through their stories.
Both fathers, Konrad and Michael, have roots in the Germany that was rebuilding after World War II. Both are self-doubting, somewhat weak Rheinlanders married to practical, sober, very Protestant Dutch women.
Katarina and Joshua are on parallel paths. But only perfectly parallel paths never meet as they stretch into infinity. And since these paths, like ours, aren’t perfect…well, you can guess what might happen in this story.
Kati and Josh, born on one of the greatest days of freedom for all human kind, will grow up snared in the blackberry bush…like you.
But if you dare to engage their story at a heart level, a fresh new freedom might just be birthed in you.
So why not listen to that subtle twitter of conception inside your soul? !e one that says, !is year something exciting is going to happen that I can’t anticipate. And I’ll never be the same….
PART ONE
1999
Oberwinter am Rhein, Germany
Just south of Bonn
Kati
I love looking out our back picture window at the rolling farms. I’m watching for Opa, my dear grandfather Harald, who said he’d be home by 4 p.m. We live at the top of the road that winds uphill from the ancient Rhine River town of Oberwinter, just upstream from Bonn. That’s how everybody here writes it, but they say “Ova-venta.” I walk up and down the sidewalk along the switchback road almost every day.
Our home is perched at the top of the hill with the front of the house facing the street that skirts the skyline of the ridge and the back looking away from the river, out at the plateau of peaceful farms, which Opa says the ancient Romans probably worked.
Opa knows a lot of secrets. If he told me what he knows every day for the rest of my life, he’d never run out of things to say. But sometimes he gets sad. He never likes to talk about how things were when he was my age. His voice starts to sound shaky, and that makes me sad too. I stopped asking him about his wartime childhood a long time ago.
My watch says it’s another hour to wait. Really, it’s his watch, big on my wrist. The leather band smells like Opa. I’m very careful with it since it’s a Glashütte, which is infinitely special.
Sometimes Opa shows me his watch collection from the big mahogany box that’s a lot like Mutti’s (that’s what I call my mother) silverware holder. But the Glashütte was always my favorite, and one day he gave it to me. I’ve worn it ever since.
Mutti was angry at Opa for giving it to me. “It’s worth as much as a car!” she said. But Opa simply smiled. He never minds when people are upset with him.
Opa’s study is a magical place. In the corner is the totem pole he brought home from Alaska. !e wooden desk is covered with a sheet hands with people in suits and, right in the middle, a recent picture of me. !e books on his shelves are in English and German. He has me read aloud from the chair across the desk from his and tells me that I speak English without an accent, just as they speak it in Seattle, Washington, where he worked for a few years. We’re on our second time through Dale Carnegie’s How to Win Friends and Influence People. Opa says it’s a very important book, so I believe him.
Opa is the only one who doesn’t seem worried about me. He never seems worried about anything. I can’t remember seeing him angry. Ever.
I hope he takes me out to his workshop in the shed this evening. It’s my favorite place. My big sister, Johanna, says it’s not fun for girls, but she’s wrong. Opa has hand tools and power tools, and all of them are perfectly hung and positioned. !e shed is as clean as Mutti’s kitchen.
Opa tells me that the Bible says all people have “gifts” from God and that all the gifts are open to girls as well as boys. He tells me I have the gifts of craftsmanship and interpretation. Those are big words, but they make me feel good.
We’ve made and fixed so many things together there. I have my own safety glasses. He lets me run the band saw all by myself. I can tell by looking at his eyes that he knows I’ll be safe. Mutti doesn’t have the same look in her eyes, no matter what I’m doing.
Mutti cuts my hair really short because she’s afraid it’s going to get caught in one of the power tools. I hate how it looks. She also tries, continually, to get me to eat more. She doesn’t like how skinny I am.
Papa works in Berlin. He got transferred there when the German government moved from Bonn after the Wall fell, when I was little. He comes home on the train most weekends. He works for the foreign
diplomatic service, and he told me this month that he might get transferred again soon, and that we might have to move to America. He and Mutti have been arguing a lot about it while I try to get to sleep at night.
I can tell the arguments are bad, because Mutti slips back into Dutch when she gets angry and also when she talks to me and Johanna. Anger and parenting seem to come out of the same place inside her.
Mutti, unlike Opa, loves to talk about growing up, and how wonderful everything was then. It’s fun to hear the stories—and to see her smile while she tells them. We take the train to visit her Dutch parents often. It takes only a few hours to reach Rotterdam. I love riding through Cologne, past the blackened dual-spired cathedral. I have another grandfather in Holland who is kind of funny and crabby at the same time. I only have one grandmother, because my German Oma died of cancer before I was born.
I love Rotterdam. My Dutch grandfather (my other Opa) takes me on bike rides through the tunnel, under the big river, and to my favorite place—the Hotel New York in the heart of the port. He buys
me a chocolate milk every time, and we watch the big ships come and go. He doesn’t like to talk about Germans, even though he reminds me that they built the bike tunnel and highway under the river. Every now and then someone mentions the War. I’ve always known my Dutch grandparents don’t like my father. They say it’s not because Papa’s German, but I think it is. He never comes along on our visits to Rotterdam.
Now I’m looking out the farm-facing window, still waiting for Opa. At the end of our backyard, the blackberry bushes start and wander off into the countryside in lots of directions. I could swear
they get bigger every year. I love to play back there—especially with Johanna. I don’t ever remember a time when I didn’t have a few scrapes on my arms and legs from the thorns. !e farmers in the fields work so hard to raise crops, but blackberry bushes grow all by themselves without any help.
I’m getting impatient, so I enter Opa’s study to wait there. In his le" second drawer is his drawing kit. Precise instruments to make perfect circles and angles. Papa tells me Opa designed this house with that kit.
Opa lets me play with everything in his desk. Using the compass, I draw a perfect circle. !en I draw myself in it. I’ve done this so many times. But I’m older in the picture than in real life. And my hair isn’t short. But I can’t stop drawing circles with slightly different sizes. Once I caught myself drawing dozens of overlapping circles around the picture of me. I’m not smiling in any of these pictures. I think a lot when I’m drawing the circles.
To me, getting older just means harder jobs. Johanna works harder than I do, and I know I’ll have to be like her soon. She evenmakes dinner sometimes. Math problems get harder. Books lose their pictures and are more challenging to read. I learn so much better with Opa, because there’s no pressure.
My parents fight about me when they think I’m asleep. Papa was angry with Mutti because she yelled at me about my school grades. Mutti shot back with, “She has to get good grades because she’s not pretty.” My whole body froze in bed when I heard that. I’m not really sure what grades have to do with being pretty, but it’s very bad somehow. I think Papa would like to be more like Opa, but he can’t make it happen.
They don’t know how good I am at English. I speak it a lot better than they do. I have to keep from laughing when they try. There’s an American couple down in the village with a new baby, living in an
old, crooked apartment. I heard them speaking English and jumped in to their conversation. They asked me where in America I was from.
I fibbed and said, “Seattle.”
I think about America a lot. Maybe I could be a different person there.
Johanna’s pretty; even I can see that. It makes people, all kinds of people, happy to look at her, and they look at her longer than they mean to. I, on the other hand, make people nervous. Except for Opa, people don’t like to look right at me.
And everyone always wants me to do better than I am doing. They say it’s because they want the best for me. But it doesn’t feel good. The older I get, the further behind I am. I don’t have enough
friends. I haven’t finished enough homework. My room is not clean enough. I wasn’t polite enough to my parents’ guests. And the hardest of all: people don’t like me enough. It’s really hard work to get people to like you. Or maybe I’m especially easy to dislike.
Opa’s study has a big mirror on the door. Standing in front of it, I’m surprised by how white my skin is. My hair is black, and I have a big nose. Opa says that’s because most of the families in town have Roman heritage, and that I must have ended up with the local hair and nose. Opa tells me this town has been around for at least a hundred generations. We go for walks in the hills around the village, and he shows me where the Roman roads, walls, and vineyards were. How can anyone know so much?
Even better, Opa is the one person who knows me. Last week he brought me a present from Bonn. I opened up the long, little box and removed a black, elegant Pelikan fountain pen. It came with a bottle of ink.
He then pulled out a fresh new ledger. I had to laugh. Opa knows how much I hate math at school. It doesn’t feel real—like somebody got paid to think up a bunch of problems to drive kids like me crazy.
But Opa keeps telling me how important math is for real life, even if I don’t think so now.
For the rest of that afternoon, Opa taught me double-entry bookkeeping in ink. Real-life stuff I can actually use even now, when I’m nine years old, to keep track of the little money I earn and spend. He told me that reckoning in German marks was only for practice, because they were going to disappear in a few years, replaced by the euro.
He also taught me that money is magic, and that if you give a lot of it away to improve the world, you’ll always have more left over than you started with. That’s not what my teacher says about
subtraction, but I know, without a doubt, that Opa is right, as usual. He showed me his accounting books, going back to the 1940s. The numbers got bigger and bigger over the years.
“How does that work?” I asked
.
He showed me the number in a special column telling how much he gave away last year. I gasped, and my hand came to my mouth.
“That’s how,” he answered.
I asked him what I would do if I made a bookkeeping mistake with the pen.
“You won’t,” he said and smiled.
Opa believes in God. My parents are not so sure. !is confusesme all the time. Opa takes me to church on Sundays. We walk down the hill together. He and I are evangelisch—Protestant or Evangelical. It’s hard to translate the term into English. Most of our neighbors in Oberwinter are Catholic. Our stone Protestant church is very small, very old, and musty smelling. !e temperature is always cooler inside than outside. I sometimes fall asleep there on Opa’s shoulder, and he likes that.
The organist is amazing. She plays on national radio. And the organ is very old: 1722 is painted on the pipes. For the rest of my life, I’m going to make sure I can listen to organ music. My imagination
can go almost anywhere when she’s playing. After every Sunday service, the organist gives a little concert from the rear balcony where she sits. We stand, lean on the pews behind us, and watch her. We always clap when she’s done.
Johanna comes with us sometimes, but Opa says it’s important to go to church only when you want to. For whatever reason, Opa and I always want to. Maybe it’s just so we can spend Sundays together, but I know Opa would go even if I didn’t exist. It seems to help him be happy all the time and everywhere. I hope he’ll teach me this magic when I’m old enough.
I don’t understand much about what goes on in church, but I love it when they read the Bible stories for children’s worship, and the littler kids come and plop right down on my lap, as if they belong there. !is Sunday was the story about Joshua and the walls of Jericho. The German Bible says the Israelites were blowing trombones, and Opa’s English Bible says trumpets. Things like that make me think.
I hear the door.
Opa’s home.
Posted by
Amy
at
10:40 PM
Monday, June 20, 2011
Falling Skies and Saving a Book

It's time for summer TV y'all! I've watched several of the new shows on the air, and I have to admit that while none of them thrill me, they'll do for now. The Closer and Damages both come back in July and those are both excellent shows so I'll be happy then.
I watched the premiere for Falling Skies, and I enjoyed it. Can't help it, even though it wasn't exciting, exciting, it was enjoyable for me. I just love the post-apocalyptic vibe of shows like these. Even though the aliens don't look terribly believable, they can obviously cause a lot of destruction and reading a few speculations online, makes me think there might be even better things to come. I do appreciate that there is a character of faith. Even though she was introduced clumsily and a bit holier-than-thou I have HOPES that the show will take the opportunity to explore what a person of faith would feel/experience/go through in a situation like this. So...fingers crossed. On the flip side, WHERE ARE THE GIRLS? I can't help but notice that the show is already heavily favoring the male POV. There a few female characters but their roles are minimal so far. I can only hope that changes, but I know better than to expect more, sadly.
One scene in the show got me thinking. As the resistance packs up to move on, Tom Mason, the main character stops by a huge pile of books. He picks up two of them, 20,000 Thousand Leagues Under the Sea by Jules Verne and Tale of Two Cities by Charles Dickens. He considers for moment, and ultimately chooses to keep Tale of Two Cities. Because of the nature of the world they are living in, you know the decision on what book to keep is weightier than the ones us book lovers make constantly when pruning our shelves.
It got me to thinking...imagine you entered the post-apocalyptic world in a book you enjoy and could only choose to keep one book. What book would you save? What book would be most important to have in a world where survival was unknown and reading time scarce? What book would you want to make sure future generations would have?
For the sake of this discussion, religious texts are off limits. Please choose a fiction book! :) If you share what book you'd save and why, I'll compile all the answers for a future post.
So..what book would you save?
Posted by
Amy
at
10:43 PM
Labels: Discussion, TV
Thursday, June 16, 2011
CFBA Book Spotlight: Pompeii by T.L. Higley
For Ariella, Pompeii is a means to an end. As a young Jew, she escaped the fall of Jerusalem only to endure slavery to a cruel Roman general. She ends up in Pompeii, disguised as a young man and sold into a gladiator troupe. Her anger fuels her to fight well, hoping to win the arena crowds and reveal her gender at the perfect time. Perhaps then she will win true freedom.
But evil creeps through the streets of Pompeii. Political corruption, religious persecution, and family peril threaten to destroy Ariella and Cato, who are thrown together in the battle to survive. As Vesuvius churns with deadly intent, the two must bridge their differences to save the lives of those they love, before the fiery ash buries Pompeii, leaving the city lost to the world.
*I received a copy of this book as part of the CFBA blog tour.
Posted by
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at
11:25 PM
FIRST: Indelible by Kristin Heitzman
It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!
You never know when I might play a wild card on you!
and the book:
WaterBrook Press (May 3, 2011)
Kristen Heitzmann’s gift of crafting stories has ranked her as the award-winning and best-selling author of two historical series and twelve contemporary, psychological and romantic suspense novels including Indivisible. As an artist and musician, Kristen lives in the foothills of the Rocky Mountains with her husband and a continuous stream of extended family, various pets, and wildlife.Visit the author's website.
Award-wining and best-selling author Kristen Heitzmann brings another suspense story to life in Indelible (WaterBrook, May 3, 2011).Follow Trevor MacDaniel, a high country outfitter, as he rescues a toddler from the jaws of a mountain lion. Discover how he can’t foresee the far-reaching consequences of his action, how it will entwine his life with gifted sculptor, Natalie Reeve—and attract a grim admirer.
Find out how Trevor’s need to guard and protect is born of tragedy, prompting his decision to become a search and rescue volunteer. And how Natalie’s gift of sculpting comes from an unusual disability that seeks release through her creative hands.
See how in each other they learn strength and courage as they face an incomprehensible foe…a twisted soul, who is drawn by the heroic story of the child’s rescue. One who sees Trevor as archangel and adversary, and threatens their peaceful mountain community—testing Trevor’s limits by targeting their most helpless and innocent.
Product Details:
List Price: $13.99
Paperback: 336 pages
Publisher: WaterBrook Press (May 3, 2011)
Language: English
ISBN-10: 1400073103
ISBN-13: 978-1400073108
AND NOW...THE FIRST CHAPTER:
“Trevor.” Whit skidded behind him. “We’re not prepared for this.”
No. But he hurled himself after the tawny streak. He was not losing that kid.
“He’s suffocated,” Whit shouted. “His neck’s broken.”
Trevor leaped past a man—probably the dad—gripping his snapped shinbone. Whit could help there. Digging his heels into the shifting pine needles, Trevor gave chase, outmatched and unwavering. His heart pumped hard as he neared the base of the gulch, jumping from a lichen-crusted stone to a fallen trunk. The cougar jumped the creek, lost its grip, and dropped the toddler. Yes.
He splashed into the icy flow, dispersing scattered leaves like startled goldfish. After driving his hand into the water, he gripped a stone and raised it. Not heavy, not nearly heavy enough.
Lowering its head over the helpless prey, the mountain lion snarled a spine-chilling warning. There was no contest, but the cat, an immature male, might not realize its advantage, might not know its fear of man was mere illusion. Thunder crackled. Trevor tasted blood where he’d bitten his tongue.
Advancing, he engaged the cat’s eyes, taunting it to charge or run. The cat backed up, hissing. A yearling cub, able to snatch a tot from the trail, but unprepared for this fearless challenge. Too much adrenaline for fear. Too much blood on the ground.
With a shout, he heaved the rock. As the cat streaked up the mountainside, he charged across the creek to the victim. He’d steeled himself for carnage, but even so, the nearly severed arm, the battered, bloody feet… His nose filled with the musky lion scent, the rusty smell of blood. He reached out. No pulse.
He dropped to his knees as Whit joined him from behind, on guard. He returned the boy’s arm to the socket, and holding it there with one trembling hand, Trevor began CPR with his other. On a victim so small, it took hardly any force, his fingers alone performing the compressions. The lion had failed to trap the victim’s face in its mouth. By grabbing the back of the head, neck, and shoulder, it had actually protected those vulnerable parts. But blood streamed over the toddler’s face from a deep cut high on the scalp, and he still wasn’t breathing.
Trevor bent to puff air into the tiny lungs, compressed again with his fingers, and puffed as lightly as he would to put out a match. Come on. He puffed and compressed while Whit watched for the cat’s return. Predators fought for their kills—even startled ones.
A whine escaped the child’s mouth. He jerked his legs, emitting a highpitched moan. Trevor shucked his jacket and tugged his T-shirt off over his head. He tied the sleeves around the toddler’s arm and shoulder, pulled the rest around, and swaddled the damaged feet—shoes and socks long gone. Thunder reverberated. The first hard drops smacked his skin. Tenderly, he pulled the child into his chest and draped the jacket over as a different rumble chopped the air. They had started up the mountain to find two elderly hikers who’d been separated from their party. Whit must have radioed the helicopter. He looked up. This baby might live because two old guys had gotten lost.
In the melee at the trailhead, Natalie clutched her sister-in-law’s hands, the horror of the ordeal still rocking them. As Aaron and little Cody were airlifted from the mountain, she breathed, “They’re going to be all right.”
“You don’t know that.” Face splotched and pale, Paige swung her head. Though her hair hung in wet blond strands, her makeup was weatherproof, her cologne still detectable. Even dazed, her brother’s wife looked and smelled expensive.
“The lion’s grip protected Cody’s head and neck,” one of the paramedics had told them. “It could have been so much worse.”
Paige started to sob. “His poor arm. What if he loses his arm?”
“Don’t go there.” What good was there in thinking it?
“How will he do the stuff boys do? I thought he’d be like Aaron, the best kid on the team.”
“He’ll be the best kid no matter what.”
“In the Special Olympics?”
Natalie recoiled at the droplets of spit that punctuated the bitter words.
“He’s alive, Paige. What were the odds those men from search and rescue would be right there with a helicopter already on standby?”
“We shouldn’t have needed it.” Paige clenched her teeth. “Aaron’s supposed to be recovering. He would have been if you weren’t such a freak.”
“What?” She’d endured Paige’s unsubtle resentment, but “ freak” ?
“Let me go.” Paige jerked away, careening toward the SUV.
Natalie heard the engine roar, the gravel flung by the spinning tires, but all she saw was the hate in Paige’s eyes, the pain twisting her brother’s face as he held his fractured leg, little Cody in the lion’s maw, the man leaping after…
She needed to clear the images, but it wouldn’t happen here. Around her, press vans and emergency vehicles drained from the lot, leaving the scent of exhaust and tire scars in the rusty mud. Paige had stranded her.
“Freak.” Heart aching, she took a shaky step toward the road. It hadn’t been that long a drive from the studio. A few miles. Maybe five. She hadn’t really watched—because Aaron was watching for her. Off the roster for a pulled oblique, he had seen an opportunity to finalize her venture and help her move, help her settle in, and see if she could do it. She’d been so thankful. How could any of them have known it would come to this? Trevor’s spent muscles shook with dumped adrenaline. He breathed the moist air in through his nose, willing his nerves to relax. Having gotten all they were going to get from him, most of the media had left the trailhead, following the story to the hospital. Unfortunately, Jaz remained.
She said, “You live for this, don’t you?” Pulling her fiery red hair into a messy ponytail didn’t disguise her incendiary nature or the smoldering coals reserved for him. He accepted the towel Whit handed him and wiped the rain from his head and neck, hoping she wouldn’t see the shakes. The late-summer storm had lowered the temperature enough she might think he was shivering.
“Whose idea was it to chase?”
“It’s not like you think about it. You just act.” Typing into her BlackBerry, she said, “Acted without thinking.”
“Come on, Jaz.” She couldn’t still be on his case.
“Interesting your being in place for the dramatic rescue of a pro athlete’s kid. Not enough limelight lately?”
“We were on another search.” She cocked her eyebrow. “You had no idea the victim’s dad plays center field for the Rockies?”
“Yeah, I got his autograph on the way down.” He squinted at the nearly empty parking lot. “Aren’t you following the story?”
“What do you think this is?”
“You got the same as everyone. That’s all I have to say.”
“You told us what happened. I want the guts. How did it feel? What were you thinking?” She planted a hand on her hip. “Buy me a drink?” He’d rather go claw to claw with another mountain lion. But considering the ways she could distort this, he relented. “The Summit?”
“I’d love to.” She pocketed her BlackBerry and headed for her car. Whit raised his brows at her retreat. “Still feeling reckless?”
“Sometimes it’s better to take her head on.”
“Like the cat?” Whit braced his hips.
“The cat was young, inexperienced.”
“You didn’t know that.”
“There was a chance the child wasn’t dead.”
“What if it hadn’t run?”
“If it attacked, you’d have been free to grab the kid.”
“Nice for you, getting mauled.”
“If it got ugly, I’d have shot it.”
“Shot?”
He showed him the Magnum holstered against the small of his back.
Whit stared at him, stone-faced. “You had your gun and you used a rock?”
“I was pretty sure it would run.”
“Pretty sure,” Whit said. “So, what? It wouldn’t be fair to use your weapon?”
It had been the cat against him on some primal level the gun hadn’t entered into. He said, “I could have hit the boy, or the cat could have dropped him down the gulch. When it did let go, I realized its inexperience and knew we had a chance to scare it off. Department of Wildlife can decide its fate. I was after the child.”
“Okay, fine.” With a hard exhale, Whit rubbed his face. “This was bad.”
Trevor nodded. Until today, the worst he’d seen over four years of rescues was a hiker welded to a tree by lightning and an ice climber’s impalement on a jagged rock spear. There’d been no death today, but Whit looked sick. “You’re a new dad. Seeing that little guy had to hit you right in the gut.” Whit canted his head.
“I’m just saying.” Trevor stuffed his shaking hands into his jacket pockets. The storm passed, though the air still smelled of wet earth and rain. He drove Whit back, then went home to shower before meeting Jazmyn Dufoe at the Summit. Maybe he’d just start drinking now. Arms aching, Natalie drove her hands into the clay. On the huge, square Corian table, two busts looked back at her: Aaron in pain, and Paige, her fairy-tale life rent by a primal terror that sprang without warning. She had pushed and drawn and formed the images locked in her mind, even though her hands burned with the strain.
No word had come from the Children’s Hospital in Denver, where the police chief said they’d taken Cody, or from the hospital that had Aaron. Waiting to hear anything at all made a hollow in her stomach. She heaved a new block of clay to the table, wedged and added it to the mound already softened. Just as she started to climb the stepstool, her phone rang. She plunged her hands into the water bucket and swabbed
them with a towel, silently begging for good news. “Aaron?”
Not her brother, but a nurse calling. “Mr. Reeve asked me to let you know he came through surgery just fine. He’s stable, and the prognosis is optimistic. He doesn’t want you to worry.”
Natalie pressed her palm to her chest with relief. “Did he say anything about Cody? Is there any news?”
“No, he didn’t say. I’m sure he’ll let you know as soon as he hears something.”
“Of course. Thank you so much for calling.”
Natalie climbed back onto the stool, weary but unable to stop. Normally, the face was enough, but this required more. She molded clay over stiff wire-mesh, drawing it up, up, proportionately taller than an average man, shoulders that bore the weight of other people’s fear, one arm wielding a stone, the other enfolding the little one. The rescuer hadn’t held both at once, but she combined the actions to release both images.
She had stared hard at his face for only a moment before he plunged over the ridge, yet retained every line and plane of it. Determination and fortitude in the cut of his mouth, selfless courage in the eyes. There’d been fear for Cody. And himself ? Not of the situation, but something…
It came through her hands in the twist of his brow. A heroic face, aware of the danger, capable of failing, unwilling to hold back. Using fingers and tools, she moved the powerful images trapped by her eidetic memory through her hands to the clay, creating an exterior storage that freed her mind, and immortalizing him—whoever he was. The Summit bar was packed and buzzing, the rescue already playing on televisions visible from every corner. With the whole crowd toasting and congratulating him, Jaz played nice—until he accepted her ride home and infuriated her all over again by not inviting her in.
He’d believed that dating women whose self-esteem reached egotistical meant parting ways wouldn’t faze them. Jaz destroyed that theory. She was not only embittered but vindictive. After turning on the jets, Trevor sank into his spa, letting the water beat his lower- and mid-lumbar muscles.
He pressed the remote to open the horizontal blinds and to look out through the loft windows.
Wincing, he reached in and rubbed the side of his knee. That plunge down the slope had cost him, but, given the outcome, he didn’t consider it a judgment error. That honor went to putting himself once more at the top of Jaz’s hate list. He maneuvered his knee into the pressure of a jet. When he got out, he’d ice it. If he got out.
He closed his eyes and pictured the battered toddler. The crowd’s attention had kept the thoughts at bay, easy to talk about the cat, how mountain lions rarely attacked people, how he and Whit had scared it off, how DOW would euthanize if they caught it, how his only priority had been to get the child. He had segued into the business he and Whit had opened the previous spring, rock and ice climbing, land and water excursions, cross-country ski and snowshoe when the season turned.
That was his business, but rescuing was in his blood, had been since his dad made him the man of the house by not coming home one night or any thereafter. At first, the nightmares had been bad—all the things that could go wrong: fire, snakes, tarantulas, tornadoes. They had populated his dreams until he woke drenched in sweat, cursing his father for trusting him to do what a grown man couldn’t.
The phone rang. He sloshed his arm up, dried his hand on the towel lying beside it, and answered. “Hey, Whit.”
“You doing okay?”
“Knee hurts. You?”
“Oh sure. You know—”
“Hold on. There’s someone at the door.”
“Yeah. Me and Sara.”
Trevor said, “Cute. Where’s your key?”
“Forgot it.”
Gingerly, he climbed over the side, then wrapped a towel around his hips, and let them in.
“You mind?” Whit frowned at the towel, although Sara hadn’t batted an eye.
She came in and made herself at home. Whit carried their twomonth- old asleep in his car seat to a resting place. Trevor threw on Under Armour shorts and a clean T-shirt, then rejoined them. “So what’s up?”
“Nice try, Trevor.” Sara fixed him with a look. “I especially like the practiced nonchalance.”
He grinned. “Hey, I’ve got it down.”
“With Jaz, maybe. No claw marks?”
“Too public.”
Whit rubbed his wife’s shoulder. “We knew you’d worry this thing, so Sara brought the remedy.”
She drew the Monopoly box out of her oversize bag with a grin that said she intended to win and would, wearing them down with her wheeling and dealing. “I’ll take that silly railroad off your hands. It’s no good to you when I have the other three.”
He rubbed his hands, looking into her bold blue eyes. “Bring it.”
The mindless activity and their chatter lightened his mood as Sara had intended. She knew him as well as Whit, maybe better. Each time he caught the concern, he reassured her with a smile. He’d be fine.
Whit played his get-out-of-jail card and freed his cannon. “Hear what’s going in next door to us?”
“No.”
“An art gallery.”
“Yeah?” Trevor adjusted the ice pack on his knee.
“Place called Nature Waits.”
“Waits for what?”
Whit shrugged. “Have to ask the lady sculptor.”
“Won’t exactly draw for our kind of customer.”
“At least it won’t compete.” Sara rolled the dice and moved her pewter shoe. “Another outfitter could have gone in. I’ll buy Park Place.”
Both men mouthed, “I’ll buy Park Place.”
She shot them a smile.
Two hours later, she had bankrupted them with her thoughtful loans and exorbitant use of hotels on prime properties. He closed the door behind them, and it hit. He raised the toilet seat and threw up, then pressed his back to the wall and rested his head, breathing deeply. The shaking returned, and this time he couldn’t blame adrenaline. He had literally puffed the life back into that tiny body. If that child had died in his arms…
Midst came their mighty Paramount, and seemed
Alone th’ antagonist of Heaven, nor less
Than Hell’s dread Emperor, with pomp supreme,
And god-like imitated state.
Child snatched from lion’s jaws. Two-year-old spared in deadly attack. Rescuer Trevor MacDaniel, champion of innocents, protector of life. Cameras rolling, flashes flashing, earnest newscasters recounted the tale. “On this mountain, a miracle. What could have been a tragedy became a triumph through the courage of this man who challenged a mountain lion to save a toddler attacked while hiking with his father, center-fielder…”
He consumed the story in drunken drafts. Eyes swimming, he gazed upon the noble face, the commanding figure on the TV screen. In that chest beat valiance. In those hands lay salvation. His heart made a slow drum in his ears. A spark ignited, purpose quickening.
Years he’d waited. He spread his own marred hands, instruments of instruction, of destruction. With slow deliberation, he closed them into fists. What use was darkness if not to try the light?
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Amy
at
10:53 PM
Susan May Warren's My Foolish Heart Facebook Party

To celebrate the release of My Foolish Heart, I'm hosting the Miss Foolish Heart Party! Join me June 16th at 5:00 PM PST (6 MST, 7 CST, 8 EST)!
I’ll be chatting with guests, hosting a book club chat about My Foolish Heart, testing your Deep Haven trivia skills, and giving away tons of great stuff! (Gift certificates, books, donuts, and more! Yes, I said Donuts!)
Don't miss the fun and BRING YOUR FRIENDS and be sure to pick up a copy of the book (Not necessary to join the fun! Who knows - you might win a copy!) and join us at 5:00 pm on June 2nd at my Author page.
Have a question for Miss Foolish Heart? Or about the book? Leave it here and we'll chat it up at the party!
Don’t miss the fun! I'm so looking forward to connecting and learning more about you – so be sure to stop by on June 16th at 5:00 PM PST (6 PM MST, 7 PM CST, & 8 PM EST).
Oh, and bring your gal pals and let them join in the fun. I’d love to introduce myself and make some new friends.
Here is the schedule of events:
5:00 Hello & Welcome. Party Instructions.*
5:05 Story behind My Foolish Heart.
5:10 Chat about My Foolish Heart and Q & A
5:30 Susan May Warren, Deep Haven series & My Foolish Heart Trivia Contest
5:45 More Chatting about My Foolish Heart, Q & A
6:00 Sneak peek of my next book – due out in August!
6:05 Announce who won the romantic date from Miss Foolish Heart
6:10 Announce all party winners (book & gift certificates)
6:15 wrap up and goodbyes
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Amy
at
10:48 AM
Wednesday, June 15, 2011
CFBA Book Spotlight: The Sweetest Thing by Elizabeth Musser
The Singleton family’s fortunes seem unaffected by the Great Depression, and Perri—along with the other girls at Atlanta’s elite Washington Seminary—lives a life of tea dances with college boys and matinees at the cinema. When tragedy strikes, Perri is confronted with a world far different from the one she has always known.
At the insistence of her parents, Mary ‘Dobbs’ Dillard, the daughter of an itinerant preacher, is sent from inner-city Chicago to live with her aunt and attend Washington Seminary. Dobbs, passionate, fiercely individualistic and deeply religious, enters Washington Seminary as a bull in a china shop and shocks the girls with her frank talk about poverty and her stories of revival on the road. Her arrival intersects at the point of Perri’s ultimate crisis, and the tragedy forges an unlikely friendship.
The Sweetest Thing tells the story of two remarkable young women—opposites in every way—fighting for the same goal: surviving tumultuous change. Just as the Great Depression collides disastrously with Perri's well-ordered life, friendship blossoms--a friendship that will be tested by jealousy, betrayal, and family secrets...
I received a copy of this book as part of the CFBA blog tour.
Posted by
Amy
at
3:11 PM
FIRST: The Judas Gospel by Bill Myers
It is time for a FIRST Wild Card Tour book review! If you wish to join the FIRST blog alliance, just click the button. We are a group of reviewers who tour Christian books. A Wild Card post includes a brief bio of the author and a full chapter from each book toured. The reason it is called a FIRST Wild Card Tour is that you never know if the book will be fiction, non~fiction, for young, or for old...or for somewhere in between! Enjoy your free peek into the book!
You never know when I might play a wild card on you!
and the book:
Howard Books; Original edition (June 14, 2011)
Visit the author's website.
Judas, the disciple responsible for betraying Jesus, has a conversation with God and proposes to him that if God had used his powers to market Jesus that Judas would have, Jesus would have been more successful in saving the world, with more people following him. Judas has heard rumors that God is preparing another prophet and talks God into letting Judas return to earth to prove his point using this new prophet, a woman who possesses supernatural abilities and who is stalked by a serial killer through her horrifying dreams of his victims. Judas takes her pure ministry and turns it into a marketing circus, and he comes to realize that in mixing commerce with God, bigger isn’t better and that God is interested in reaching individuals, not masses.Product Details:
List Price: $14.99
Paperback: 320 pages
Publisher: Howard Books; Original edition (June 14, 2011)
Language: English
ISBN-10: 143915354X
ISBN-13: 978-1439153543
AND NOW...THE FIRST CHAPTER:
________
CHANCES ARE you hate me. Believer or nonbeliever, if you've heard the story, you despise me. And believer or nonbeliever, that makes you a hypocrite. All of you. Believers, because you refuse to embrace the very forgiveness He pleaded for others, even those who tortured Him to death. And nonbelievers, because you pretend to hate the traitor of someone you hate.
"But I don't hate Him," you say.
Really? Pretending you don't hate someone who says all your attempts at being good are worthless? Pretending you don't hate someone who claims to be the only way to God? Pretending you don't hate someone who wants to rule your life? Who are you kidding? You're not fooling anyone, least of all Him.
But hate Him or worship Him, one thing you can say, He's no hypocrite. He stuck to the truth all the way through His execution. And He still holds to it today. (Old habits die hard.) Truth is His currency… and His Achilles' heel. That's why I knew He'd allow me into His presence. If my question was asked in truth, He'd respond in truth.
Now I'm sure there are some who will debate how I had access to Him—those of you who love to argue about gnats while swallowing camels. And why not? After all, debating about dancing angels and pinheads is far easier than breaking a sweat by actually obeying. Or, as the Accuser recently confided in me, "Spending time arguing theology is the perfect way to ensure a burning world continues to burn."
In any case, my eternal state is not up for discussion. Though I will say I have displayed more remorse and repentance over my sin than most of you ever have over your own. And as to whether I'm actually in hell, I guess that depends upon your definition of the place.
But I digress.
When I came before Him, I was forced to my knees. Not by any cosmic bullying, but by the sheer weight of His glory. Yet when He spoke, His voice was kind and full of compassion.
"Hello, my friend. It's been a long time."
My eyes immediately dropped to the ground and my chest swelled with emotion. So much time had passed and He still had that power over me. Angry at His hold, I took a ragged breath and then another before blurting out like a petulant child, "You… never gave me a chance!"
I was answered by silence. He waited until I found the courage, or foolishness, to raise my head. When I did, the love in His eyes burned through me and I had to look back down. Still, He continued to wait.
I took another breath. Finally, angrily swiping at my eyes, I tried again. "If we… if we would have handled Your mission my way"—I swallowed and continued—"the world would not be in the mess it's in today."
"Your way?"
I nodded, refusing to look up. "You could have ruled the world."
"I am ruling the world."
I shook my head. "Not souls. But nations, governments. Every earthly power imaginable could have been Yours."
"Kingdoms come and go. Souls are eternal."
"Tell that to the tortured and murdered who scream Your name as an oath every day." I waited for His wrath to flare up, to consume me. But I felt nothing. I heard no rebuke. Only more silence. He knew I wasn't finished. I took another breath and continued, "If You would have used Your powers my way, everyone would have followed You."
I heard Him chuckle softly. "And you would have made Me a star."
"The likes of which the world had never seen."
"I did all right."
"You could have done better."
He waited again, making sure I had nothing more to say. This time I had the good sense to remain silent.
Finally He spoke. "What do you propose, My friend?"
I hesitated.
"Please. Go ahead."
Still staring at the ground, I answered: "Rumor has it You're preparing another prophet—though her background is questionable."
"Moses was a murderer. David an adulterer." I felt His eyes searching me. "I've always had a soft spot for the broken."
I nodded and took another swipe at my tears.
"What would you like?"
Another breath and I answered: "Let me return to Earth. Let me show You what could have been if You had followed my leading." I hesitated, then looked up, trying to smile. "Hasn't that always been Your favorite method of teaching? Letting us have our way until we wind up proving Yours?"
His eyes sparkled at my little joke. I tried to hold His gaze but could not.
After another pause He finally spoke: "When would you like to begin?"
And that's how it started—how He gave me the opportunity to prove to Him, to you, and to all of creation, what could have been accomplished if He'd proclaimed His truth my way.
I'll say no more. Neither here nor at the end. Instead, I'll practice what He, himself, employs. I'll let the story unfold, allowing truth to speak for itself.
CHAPTER ONE
________
THE FIRST thing Rachel smells is smoke. That's how it always begins. Not the smoke of wood, but the acrid, chemical smell of burning drapes, melting carpet, smoldering sofa. The air is suffocating. Hot waves press against her face and mouth, making it difficult to breathe. Her mother stands before her in a white flowing gown. Flames engulf the woman's legs, leaping up and rising toward her waist where she holds little Rebecca. The two of them stare at Rachel, their eyes pleading for help, their faces filled with fear, confusion, and accusation as Rachel stands holding a lit candle in a small glass holder.
Mother and sister waver and dissolve, disappearing into the smoke. Suddenly Rachel is standing in the doorway of an upscale bathroom. The same bathroom she stood inside last night. And the night before. The marble tile is cool to her bare feet. There is no smoke now, only fog. So thick she sees nothing. But she can hear. There is the sound of splashing water. Someone in a tub. The room is filled with the sweet scent of rose bath oil.
A nearby dog yaps, its bark shrill and relentless.
A woman shouts from the tub, "Who's there?" Her voice is strong and authoritative, masking the fear she must feel.
Rachel tries to answer, but no sound comes from her throat.
"Who are you? How did you get in?" She hears the woman rising, water dripping from her body.
The dog continues to bark.
"Get out of here!" the woman yells. Water splashes. She swears. The sound of a struggle begins. Someone falls, knees thudding into the tub. There is the squeak of flesh against porcelain. Coughing, gagging. A scream that is quickly submerged underwater, muffled and bubbling.
Rachel hears herself gasping and grunting. She feels her own hands around the woman's throat.
The dog barks crazily.
The last of the burbling screams fades. The struggle ends. There is only the gentle sound of water sloshing back and forth, back and forth.
And the yelping dog.
Rachel rises and turns, fearful of what she knows she will see through the fog. As in the previous dreams, a bathroom mirror floats before her. But this evening there is something different. This evening there are letters scrawled across it in black cherry lipstick. Her scrawling:
Tell Them
In the mirror she sees a tiny red glow dancing across her hand, the hand that holds the burning candle. It's there every night, like a firefly. But instead of her own frightened face staring back at her, she sees the face of someone else: bald, white, and pale. A swastika tattooed on the side of the neck. Man, woman, she can't tell. But it is leering. And it is climbing out of the mirror toward her.
She screams and throws the candle at the reflection. The mirror shatters, breaking into a dozen pieces, a dozen images of the face sneering up at her. Until they change. Until they morph into different faces. Froglike. Reptilian. Each climbing out of its broken shard—snarling, reaching for her feet, clutching at her ankles until, mustering all of her strength, she wakes with a stifled scream.
Nineteen-year-old Rachel Delacroix lay in bed, heart pounding, T-shirt soaked and clinging. At first she thought it was from the water of the tub… until she realized it was her own cold sweat.
"Rachel?" Her father appeared in the doorway, his bald black head glistening in the streetlight from the hall window. The same window that held the broken air conditioner they could not afford to replace. "Are you all right?"
"Mmm?" she mumbled, pretending to be asleep.
"Was it—did you have another dream?"
She gave no answer.
"You're not taking your medicine, are you."
She remained silent, hoping he'd think she'd gone back to sleep.
"Rachel?"
More silence. She could hear him standing there nearly half a minute before he turned and wearily shuffled back down the hall to his room. Tomorrow was church and he needed to get his rest. Still, she knew full well he'd not be able to go back to sleep.
Hopefully, neither would she.
She opened her eyes and stared at the ceiling, then turned to the art posters on the surrounding walls—the Monets, the Van Goghs, the Renoirs. How often they gave her comfort. Even joy. But not tonight. Tonight, as in the past two nights she'd had the dream, they would give her nothing at all.
________
IT WAS BARELY past nine in the morning and the attic was like an oven. The Santa Anas had been blowing for several days, and Sean Putnam doubted the house had dropped below eighty degrees all night. That's why he was up here now—to save whatever was left of his paintings. To bring the canvases downstairs where it was cooler and the paint wouldn't dry out and crack. Over the past months he'd already thrown away dozens, mostly self-portraits; clear signs of what he now considered to have been his self-absorbed youth.
"Dad!"
He turned toward the stairs and shouted. As was the case with many Down syndrome children, the multiple ear infections had left his son hard of hearing. "I'll be there in a second."
"Well, hurry! We don't want to be late."
"I'll be right there."
"Well, hurry."
He quietly mused. Tomorrow would be Elliot's first day in middle school. A scary time for both of them. Yet it was all part of the plan he and Beverly had agreed upon. A plan conceived as the cancer began eating away and taking her. They wanted to make sure Elliot was prepared as much as possible to face the real world. Integrating him into the public school system seemed the best choice. They'd talked about it often during her final days. And it was the last conversation they had before she slipped into unconsciousness.
Now, barely a year later, he was making good on those plans.
"Dad."
"I'll be right there."
Elliot was nervous. He had been all week. That's why Sean had agreed to this trial run. That's why, though it was nine-fifteen on a Sunday morning, the two of them would pile into the old Ford Taurus and drive over to Lincoln Middle School. A rehearsal for tomorrow's big day. An attempt to help Elliot relax by eliminating any surprises.
Too bad Sean couldn't do the same for himself. Because he wasn't just anxious about his son. Tomorrow was a big day for him as well. He'd finally graduated from the Los Angeles Police Academy, and tomorrow would be his first day on patrol in a black-and-white. That was the other reason he was up here in the attic. "To put away childish things." He wasn't sure where he'd first heard that phrase, probably from his old man. But it made it no less true. The days of being a long-haired art student had come and gone. Now it was time to be a man. To make the necessary sacrifices and take care of what was left of his family.
He quickly flipped through the remaining canvases until one slowed him to a stop. Not because of any artistic skill, but because of the subjects—six-week-old Elliot lying naked on his mother's tummy, his little fist clenched, nursing at her breast. It still moved him in ways he could not explain. Somehow, some way, he'd been able to capture the truth of that moment… mother and child lost in the act of life, their faces filled with contentment, glowing with an indefinable peace.
"Dad…"
He reached down and scooped up the canvas. "I'm on my way." He tucked the painting under his arm and headed back downstairs, where he would find someplace safe to keep it.
© 2011 Bill Myers
Posted by
Amy
at
9:39 AM











